It is terribly important that the "small things forgotten" be remembered.
For in the seemingly little and insignificant things that accumulate to create a lifetime,
the essence of our existence is captured.
We must remember these bits and pieces, and we must use them in new and imaginative ways so that a different appreciation for what life is today, and was in the past, can be achieved.
James Deetz, In Small Things Forgotten
My studies of traditional Norwegian woven bands led me to pockets.
Although the pockets from this time period within Scandinavia, look quite different to their British or Colonial contemporaries, they functioned in the very same purposeful way.
The national archive has several beautiful styles and examples, unique to each maker.
All were tied with simple, colour coordinated, woven bands.
In the beginning they were worn hidden within the clothing and without much decoration.
But in time, they evolved to be worn on the outside of the skirt, with elaborate embroidery patterns, in addtion to the woven bands.
The design of the Scandinavian opening was much different than that of the English or Colonial pockets. Wider slits or horizontal openings were much more common.
There is also evidence of Scandinavian patchwork pockets, as cotton fabrics (or sacks) became more readily available. Especially documented from the more rural, farm areas and in the small villages, where using every last scrap of material was important.
Unfortuantely, these fabrics were so worn with use that the fabric deteriorated, leaving only a few remaining examples.
Woollen fabrics have stood the test of wear and time and account for the majority of the artifacts within the collection.
The Scandinavian pocket has continued its evolution and is still in use today.
Although now called a "veske" or "kjolveske" - "a skirt purse", they are a prominant feature of the traditional folk costumes throughout Norway and other Scandinavian countries, as well.
Sweden has beautiful, woollen kjolveske, tied on with woven bands.
All still completely handmade, with elaborate and intricate embroidery and applique.
Now however, the woven bands in most areas have been replaced with a silver closure or "veskelås" and the woven bands are tied around the waist or hand sewn at the bottom of the skirt.
Below is an example of the traditional "veske" from my region - Trøndelag.
One beautiful day, I will master this embroidery!
For those of you joining in to read the book The Pocket (below) - design your own pocket, and weave your own traditional band, I look forward to hearing your thoughts around this most interesting history.
Although this book comes from a perspective of history that is largely British, the correlations and connections to Colonial America and Scandinavia, and indeed to Europe are evident.
Below I found an interesting article review and perspective of the book, from a curator at the Victoria and Albert Museum that you might be interested in downloading to read.
Including a guide for making your own "tie on pockets" shared during a recent exhibition - Bags: Inside out
I am so enjoying reading this book. Although an achedemic piece, it is engaging, interesting and so very timely!
I am looking forward to bringing the draft pattern project required during my certification, to life!
I have decided to reflect both sides of my heriatge by creating a colonial, patchwork pocket and a woollen, scandinavian pocket, complete with a traditional woven band and embroidery!
Enjoy, with interest og God helg!
Warmest regards from the farm,